The Subversive Theatre Collective:

Where Dissent Takes Center Stage!
Subversive Theatre: Where pissing you off is only the beginning

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  "The Revolutionary Theatre must Accuse and Attack anything that can be accused and attacked.  It must kill any God anyone names except common Sense." 

-Leroi Jones 
(a.k.a. Amiri Baraka)
1965
Click below for more info...
-- About the Author
-- About the Cast
-- About the Crew
-- About this Play's Production History
-- Directions to the Theatre
-- HARVEST Mainpage
-- Production Photos
-- Subversation Sundays
 
MEDIA COVERAGE:
-- Download Interview on ThinkTwice Radio 3/1/10
-- Buffalo News Review 3/5/10
-- Buffalo Rising Review 3/3/10
-- Examiner.com Review 3/2/10
 
RELATED INFORMATION:
-- Director's Notes
-- Historical Notes: the Labor Movement of the 1930s
--  Historical Notes: Farm Workers' Struggles in California
--
Hughes' HUAC Testimony
BUFFALO EXAMINER.COM  3/2/10

Subversive Theatre "Harvest" political thought, if you let it

By Kristen Henry THEATRE REVIEWER
Three out of Five Stars!

When you walk into Subversive Theatre's Manny Fried Playhouse you don't really know what to expect.  Stepping out after a short trip up a giant freight elevator brings you to a large room with a small, eclectic crowd.  A member of the troupe shouts "The House is open" as the small group hustles inside.  On stage is minimal scenery and minimal lighting, and you think for a second, "What did I get myself into?"  But, sure enough, you can find yourself pleasantly surprised, if not forced into dialogue about the political play you just witnessed.  The troupe's latest production, "Harvest" by the famous poet Langston Hughes, is no different.

You shouldn't walk in expecting high class scenery and "escape for a few hours" entertainment; it's not what this alternative group wants.  They want you to be uncomfortable and they want dialogue.  They want productions that make you think and challenge your values.  And, this latest play, which follows the plight of migrant farm workers on strike during the Great Depression can do just that if you let it.  Embrace the group for their vision and their creativity with limited budget and means and you’ll get everything out of the play you're supposed to.  Walk in with the wrong attitude and a closed mind and you may leave disappointed.

That is not to say the performance is altogether weak.  Yes, certain actors stood out more than others.  Yes, the sets were plain and required some imagination.  But, out of imperfect means can come great creativity.  For instance the show's lighting was actually quite impressive, using shadows of actors to portray more characters with a limited cast while simultaneously giving them a sort of nightmarish mystery and casting exploitative farmers as the enemy to the worker and union.  The group also successfully weaved a play with some of Hughes' more shocking poetry and songs of the working man, which added to depth of the play though halted the plot slightly.

As the director said to the audience before the performance, "This is not the Langston Hughes you learned about in social studies."  He was right.  Don't expect calm, eloquent commentary on slavery.  Expect harsh words about working conditions and revolution.  Don't expect calm entertainment.  Expect biting political commentary and an out-of-the-ordinary show.  If in-your-face graphic political speech about the plight of the worker and praise for unions isn't exactly your cup of tea, stay at home.  It's not for those who wish to remain at ease and merely entertained.  It's for those who hunger for political action and don't mind getting a little bit uncomfortable.

"Harvest" by Langston Hughes plays at the Manny Fried Playhouse in the Great Arrow Building Friday-Sunday through March 20.  Tickets are $15 general admission or $10 for students, seniors or members of Subversive Theatre.  For more information or directions to the theater, visit their Web site at www.subversivetheatre.org.

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